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From:_
[email protected]_(Paul_Tarvydas)
Date:_19_Jul_95_19:22:14_GMT
Subject:_CRD:_Jethro_Tull,_Minstrel_in_the_Gallery_(acoustic)
Minstrel_in_the_Gallery_acoustic_portion
Ian_Anderson
(transcribed_by_Paul_Tarvydas_
[email protected])
capo_2nd_fret
all_chords_relative_to_capo
/_=_down_strum
\_=_up_strum
o_=_all_strings_open_(if_preceding_Dsus2,_then_strings_1-4_open,
____if_preceding_A,_then_strings_1-5_open,_if_preceding_G,_then_1-6
____open)
note:_The_last_line_"the_friends_hed_made"_is_a_typical_Andersonian
chord-morph.__You_should_play_with_the_fingering_until_you_find
a_combination_which_moves_the_fewest_fingers_at_one_time.__Anderson
likes_to_keep_one_finger_planted_and_change_the_chords_around_it.__In
this_case,_I_think_he_does_the_following.__He_plants_the_3rd_finger_of
the_left_hand_as_he_changes_from_Dm_to_A7sus4.__Am_to_C,_he_plants_the
1st_finger.__C_to_Cadd9_he_lifts_the_3rd_and_places_2nd_on_the_6th
string,_keeping_the_1st_and_4th_fingers_planted.
____A___Asus4___Am___A7sus4__C___Cadd9/F#_Dsus2_Dsus4__Dm
-|--0-----0-----0-----0-----0-----0--------0-----3-----1-
-|--2-----3-----1-----3-----1-----1--------3-----3-----3-
-|--2-----2-----2-----0-----0-----0--------2-----2-----2-
-|--2-----2-----2-----2-----2-----0--------0-----0-----0-
-|--0-----0-----0-----0-----3-----3----------------------
-|--------------------------3-----2----------------------
____F_____G________o-Dsus2__o-A______o-G
-|--1-----3--------0--0-----0--0-----0--3----------------
-|--1-----3--------0--3-----0--2-----0--3----------------
-|--2-----0--------0--2-----0--2-----0--0----------------
-|--3-----0--------0--0-----0--2-----0--0----------------
-|--3-----2-----------------0--0-----0--2----------------
-|--1-----3--------------------------0--3----------------
/________________/______/_____/_\_____
A________________Am_____C_____o_Dsus2
____The_minstrel_in_the_gallery
________/_____/______________/_________A_____Dsus2__________o_A
looked_down_upon_the_smiling_faces.
___/_______/_______/________/___/_____F_______C_______F________F___o__G
He_met_the_gazes_-_observed_the_spaces_
/___________/____/\___/_Dsus2_________________o_A
between_the_old_mens_cackle.
___/________/_______/____/___/_\______
___A________Am______C________o_Dsus2_______
He_brewed_a_song_of_love_and_hatred_-_
/__/\/_/\/_/\/
G
_/__________________/______/___G__________________Dsus2__o__A
oblique_suggestions_and_he_waited.
F________C_________F___G___C
__He_polarized_the_pumpkin_eaters_-_
F________C_______F_G___C
__static-humming_panel-beaters_-_
F_________C__________F__G____C
__freshly_day-glowd_factory_cheaters_
F_______C_______F__G___C
__(salaried_and_collar-scrubbing).
A_________Am____C______o_Dsus2
__He_titillated_men-of-action_-_
F_____C________F_____F_____o__G
belly_warming,_hands_still_rubbing_
G______Dsus2____________o__A
on_the_parts_they_never_mention.
A________Am_______C_____o__Dsus2_______G
__He_pacified_the_nappy-suffering,_
G______Dsus2________Dsus4__o_A
infant-bleating_one-line___jokers_-_
F____C___F__G____C
T.V._documentary_makers_
F____C______F__G__C
(overfed_and_undertakers).
A______Am____C__________o__Dsus2
Sunday_paper_backgammon_players_-_
F______C___________F_____C
family-scarred_and_women-haters.
________F__________C_________F__G_______C
Then_he_called_the_band_down_to_the_the_stage_
_______F_________C___
and_he_looked_at_all
____Dm__A7sus4_______Am__C__Cadd9/F#__F
the_friends_____hed_made.
(tr.)__(tr.)
A______Asus4
[eof]
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