Shout_out_to_11Eleven11_who_sorted_out_most_of_the_chord_progression_
which_Im_basing_this_off_of.
Here,_I_have_what_Cooley_is_playing._The_other_guitars_are
playing_slight_variations.
He_is_playing_variations_on_C,_G,_and_F_chords_in_the_verses.
However,_note_that_DBT_tunes_their_guitars_down_an_entire_step_(two_semitones).
That_means,_the_tuning_low_to_high_on_record_is:_D,_G,_C,_F,_A,_D
I_never_bother_tuning_down_my_guitar_as_it_sounds_great_in_standard_tuning.
But_if_youve_always_wondered_why_your_versions_of_DBT_songs_dont_sound_
*just_right*_--_there_ya_go._
Throughout,_he_is_suspending_or_adding_a_7th_or_a_9th_to_produce_a_
variation_on_the_main_chord_--_which_sounds_great.
[CHORDS]_
Gsus2___________30003x
G7sus2__________300031
Fmaj7___________x33210
Fmaj7sus2_______x33010
C_______________x32010
Cadd9___________x30010
Bb______________x13331
Here_is_the_pattern_played_throughout._Any_time_I_just_have_"G",_"F",_or_"C"
below,_it_means_play_this_pattern._The_key_to_getting_the_rhythm_right
is_to_emphasize_the_second_and_third_part_of_the_patterns_with_up-strums.
For_example,_in_the_intro_he_is_simply_doing_single_strums:_down,_up,_up.
Listen_to_get_it_just_right:
G:______Gsus2___________G7sus2__________Gsus2
F:______Fmaj7___________Fmaj7sus2_______Fmaj7
C:______C_______________Cadd9___________C
**********************************************************
[Intro]_________________
G_______F
G_______F_______________(Repeat_into_part_twice._First_time_is_single
________________________down_or_up_strokes,_breaking_into_a_full_strum_
________________________second_time_through)
[Verse_1]
F_______________________G
It_all_started_with_the_border
G_______________________________F
And_thats_still_where_it_is_today
F_________________________C
Someone_killed_Ramon_Casiano
C_____________________G
And_the_killer_got_away
G
Down_by_the_Sister_Cities_river
G_________________________________F
Two_boys_with_way_more_pride_than_sense
F_____________________________C
One_would_fall_and_one_would_prosper
C_____________________G
Never_forced_to_make_amends
[Instrumental]
F_C_G_
[Verse_2]
___________________G
He_became_a_border_agent
G________________________F
And_supplemented_what_he_made
F______________________C
With_creative_deportation
C________________________G
And_missing_ammo_by_the_case
G
Since_Bullet_ran_the_operation
G____________________________F
Theres_hardly_been_a_minute_since
F_____________________________C
There_aint_a_massing_at_the_border
C____________________________G
From_Chinese_troops_to_terrorists
[Instrumental]
F_C_G_F_C_G
[Bridge]
G__________________________F
He_had_the_makings_of_a_leader
F_____________________C
Of_a_certain_kind_of_men
C_____________________________F
Who_need_to_feel_the_worlds_against_him
F_____________________C
Out_to_get_em_if_it_can
C_____________________________Bb
Men_whose_triggers_pull_their_fingers
Bb_____________________________C
Men_who_would_rather_fight_than_win
C___________________G
United_in_a_revolution
G_______________________F
Like_in_mind_and_like_in_skin
[Instrumental]
F_C_G_F_C_G
[Verse_3]
__________________________G
It_all_started_with_the_border
G____________________________F
And_thats_still_where_it_is_today
F________________________C
Down_by_the_Sister_Cities_river
C________________________G
What_for_sure_no_one_can_say
G_________________________________
But_killings_been_the_bullets_business
G_______________F
Since_back_in_1931
F_______________________C
Someone_killed_Ramon_Casiano
C___________________________G
And_Ramon_still_aint_dead_enough
[Outro]
F_C_G_F_C_G
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