Cocteau_Twins_–_Blue_Bell_Knoll
Ok,_to_do_this_right,_it_is_going_to_require_getting_a_synth_app_called_Sunrizer_($10),_or_a_real_synth_with
a_sequencer_(a_few_hundred_$$$)._These_are_the_instructions_using_Sunrizer._I_will_describe_how_to_get_the_
synth_arpeggio_using_Sunrizer_and_its_built-in_sequencer_function,_and_then_describe_the_rest_of_the_music_
in_the_song_using_guitar_tab.
Sunrizer_app:_Go_to_the_DEFAULT_bank_of_sounds_from_the_top_center_menu,_choose_sound_#178_“C3_LakeSeq”._
Its_a_delayed_synth_synth_which_already_has_a_sequencer_pattern_loaded_into_it._We_just_need_to_change_the_
sequencer_arpeggio_pattern_to_fit_Blue_Bell_Knoll’s.
Once_the_C3_LakeSeq_is_loaded,_click_on_“ARP”_(for_arpeggio)_at_the_top_right._At_the_bottom_of_the_ARP_
window_is_a_16-step_sequencer,_and_in_the_middle_of_the_window_are_a_VOICES_+1/-1_function_and_a_TRANS_+1/-1_
function._You_are_going_to_change_each_of_the_16_steps_of_the_sequencer_using_the_Voices_and_Trans_buttons._
Highlight_a_step_(1_through_16)_of_the_sequencer_to_change_the_voices_and_trans_(which_are_labeled_in_the_
sequencer_section_in_small_print_on_the_far_left).
Change_the_16_steps_in_this_manner:
1)_All_steps_(1_through_16)_have_4_Voices_(you_need_to_change_these)._
2)_The_Note_arrow_is_always_“current”_(facing_to_the_right_–_no_need_to_change_these)._
3)_Remove_the_hold_on_Step_16.
4)_Then_change_the_Trans_so_that_they_look_like_this_(these_numbers_represent_semitones_away_from_the_
original_note):
Step_1_Trans:_0_________________Step_9_Trans:_3
Step_2_Trans:_2_________________Step_10_Trans:_2
Step_3_Trans:_3_________________Step_11_Trans:_0
Step_4_Trans:_7_________________Step_12_Trans:_2
Step_5_Trans:_3_________________Step_13_Trans:_3
Step_6_Trans:_2_________________Step_14_Trans:_2
Step_7_Trans:_0_________________Step_15_Trans:_0
Step_8_Trans:_2_________________Step_16_Trans:_2
5)_You_should_then_change_the_Tempo_to_about_104_bpm_using_the_TEMPO_function_in_the_top_right_corner.
Since_Blue_Bell_Knoll’s_key_is_Cm,_you_should_hit_a_mid-range_C_note_to_play_the_arpeggio._There_is_a_“HOLD”_
button_just_above_the_keyboard._Turn_this,_on,_hit_the_C_note,_and_you_have_the_looping_synth_arpeggio_for_
the_song!_Buy_appropriate_cables_to_hook_up_your_appl-playing_device_to_your_rig_and_then_play_the_guitar_
part_over_the_top.
Guitar_parts:
For_the_synth_pad-like_washes,_you’re_going_to_need_a_volume_pedal_for_the_“washes”,_w/_lots_of_reverb_and_
delay._Times_in_the_song_are_approximate_since_I’m_listening_to_a_youtube_video_of_BBK_to_do_this._The_two_
distinct_lines_in_the_first_part_of_the_song_are_probably_synths,_but_I’m_tabbing_them_out_to_play_on_guitar.
PART_I_of_the_song_(the_part_with_vocals):
Noise_1:_background_synth_pad-like_noise_from_0:10._This_is_very_subtle_and_difficult_to_distinguish_
underneath_the_vocals,_the_meoldy_line_of_which_it_mirrors_somewhat.
Repeated_until_Part_II_starts_at_2:12_
e--------------------------------------------------------------------|_
B_–------------------------8--11----10-------------------------------|_
G_--5----8--8--7----10--8--------------------------------------------|_
D_-------------------------------------------------------------------|_
A_-------------------------------------------------------------------|_
E_-------------------------------------------------------------------|
Noise_2:_slight_distorted_pad-like_noise_at_about_0:27_and_repeating_every_so_often,_lots_of_reverb_and_
delay,_use_the_volume_pedal
e_---------------------------------------------------------------|_
B_--bend_7_up_a_semitone,_pick_it,_release,_then_bend_up_again---|_
G_---------------------------------------------------------------|_
D_---------------------------------------------------------------|_
A_---------------------------------------------------------------|_
E_---------------------------------------------------------------|
PART_II_(no_vocals_part)
Guitar_line_1_arpeggio_at_about_2:12_and_repeating_until_end_
_______Bb_______________________________________________________________Ab
e_-------------------------------------------------------------------|_
B_–-----------------------------------------4--------------4---------|_
G_------7-8--7----------7-8--7------------5----5---------5----5------|_
D_----8--------8------8--------8--------6--------6-----6--------6----|_
A_--8---------------8-----------------6--------------6---------------|_
E_-------------------------------------------------------------------|
Stick_a_capo_on_the_4th_fret_to_play_guitar_line_1_and_the_Bb_arp_sounds_better
Guitar_line_2_also_starting_at_2:12,_playing_on_top_of_Guitar_line_1_arpeggio.
________Bb________________________________________________________________Ab
e_--11---10----------------------------------------------------------|_
B_–------------8----------------------13----11--------------------7-8|_
G_-------------------------------------------------8-----------------|_
D_-------------------------------------------------------------------|_
A_-------------------------------------------------------------------|_
E_-------------------------------------------------------------------|
Guitar_line_3_(distorted_shoegazey_guitar_starting_at_2:20_and_running_to_end
This_makes_the_most_noise_in_Part_II._It’s_distorted,_w/_lots_of_reverb_and_delay,_possibly_reverse_reverb,_
and_playing_chords_w/_quick_strumming)._
Cm__/_Cm__/_Ab__/__F
Guitar_line_4_(a_distinct_pad-like_guitar_wash_starting_at_2:34_and_repeating_every_so_often_–_I’ve_put_the_
latter_notes_in_parentheses_because_they’re_not_very_audible_underneath_the_other_guitars).
e_-------------------------------------------------------------------|_
B_–-11--13-----------------------------------------------------------|_
G_-----------12----(12)--(10)--(8)--(8)--(7)-------------------------|_
D_-------------------------------------------------------------------|_
A_-------------------------------------------------------------------|_
E_-------------------------------------------------------------------|
Guitar_line_5_(slightly_distorted_solo_starting_at_about_2:56_and_ending_the_song):
e_11-10-------10-11-10------10-11-10---------------------------------|_
B_–-----8~-------------8~------------8~---11-11-13-------------------|_
G_-------------------------------------------------12-12--10--10-8-7-|_
D_-------------------------------------------------------------------|_
A_-------------------------------------------------------------------|_
E_-------------------------------------------------------------------|
This_is_obviously_a_lot,_but_I’m_putting_it_all_here_for_the_sake_of_complete-ness,_and_in_the_hope_that_
others_will_chime_in_with_comments/corrections._If_you’re_trying_to_do_this_live,_just_take_the_most_
prominent_of_the_guitar_lines.
Corrections_are_welcomed!
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