The Messiah Will Come Again吉他谱txt Roy Buchanan 弹唱谱和弦谱音娱

#----------------------------------PLEASE_NOTE---------------------------------#

#This_file_is_the_authors_own_work_and_represents_their_interpretation_of_the_#

#song._You_may_only_use_this_file_for_private_study,_scholarship,_or_research._#

#------------------------------------------------------------------------------##

#----------------------------------PLEASE_NOTE---------------------------------#

#This_file_is_the_authors_own_work_and_represents_their_interpretation_of_the_#

#song._You_may_only_use_this_file_for_private_study,_scholarship,_or_research._#

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Song:_"The_Messiah_Will_Come_Again"

Artist:_Roy_Buchanan

Album:_"A_Street_Called_Straight"

Transcribed_by:_Bryan_W._Young_([email protected])

Performance_Notes:__This_is_an_*extremely*_difficult_song_to_transcribe.

_____There_is_an_endless_number_of_bends_and_slides_that_are_difficult

_____to_note_in_simple_tablature.__Because_of_this_I_will_insert_special

_____explanations_before_each_"measure".

_____Also,_I_cannot_guarantee_the_accuracy_of_this_transcription,

_____simply_because_my_ear_is_self-trained_and_therefore_susceptable_to

_____misinterpretation.__My_greatest_piece_of_advice_is_to_tell_you

_____to_buy_the_album_(either_Roys_"A_Street_Called_Straight"_or

_____"Guitar_on_Fire")_else_most_of_the_complexity_will_be_completely

_____lost_(along_with_all_the_timing).

_____Note_also_that_I_begin_transcribing_at_1:14,_after_his_soliloquy.

_____I_am_not_yet_able_to_transcribe_the_intro;_if_requested_Ill

_____give_it_another_shot.

"B"_stands_for_bend.__"R"_means_to_evenly_release_the_bend

and_return_to_the_original_note.

(1:14_-_1:28)

e|---------------------------------------------------------|

B|-----15B16--15B16R15--13--13--13--12--13--12-------------|

G|-14------------------------------------------------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

The_trick_to_playing_the_third_"note"_in_this_measure

properly_is_to_strike_the_string_at_the_10th_fret,_bend_up

to_the_12th,_hold_and_fret_the_11th,_then_return_to_the_10th

fret_while_evenly_releasing_the_bend.__It_is_tricky,_but_can

be_done_with_practice.__The_"S"_business_simply_means_to

slide_evenly_down_to_the_4th_fret.

(1:29_-_2:04)

e|---------------------------------------------------------|

B|-10------10B12F11R10--10--12--13\---4--4--4--4--4--4B5---|

G|-----12--------------------------\S----------------------|

D|----------------------------------\----------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

Each_one_of_these_notes_is_bent.__Often_one_does_not_return

to_the_un-bent_note_before_restriking_the_string.__It_is

very_tricky_to_hit_the_note_just_right.__All_I_can_assure_you

of_is_that_this_tablature_accurately_represents_the_number

of_times_the_string_is_struck.

e|---------------------------------------------------------|

B|-16--16--16--16--16--16--16--16--16--16--16--16--16--16--|

G|---------------------------------------------------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

e|---------------------------------------------------------|

B|-16--16--16--16--16--16--16------------------------------|

G|---------------------------------------------------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

(At_this_point,_Mr._Buchanan_makes_an_incredible_jittery

climb_up_and_down_the_fretboard_that_goes_all_the_way_to_the

bridge.__Youll_just_have_to_figure_this_out_yourself.__I

have_no_idea_how_to_transcribe_it.__Just_beware_--_your

wrist_will_hurt_by_the_time_you_have_it...)

_(2:23_-_4:06)

e|-7--7S8--7S5--7------------------------------------------|

B|---------------------------------------------------------|

G|---------------------------------------------------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

This_is_the_section_I_refer_to_as_"The_Howling".__Here,

like_the_section_earlier,_each_string_is_bent_a_different

amount.__Youll_again_have_to_listen_to_the_record_to_hear

it_all.__Make_sure_to_employ_artificial_harmonics_often.

Also,_note_that_sometimes_you_return_to_the_original_note,

often_you_dont.

e|---------------------------------------------------------|

B|-16--16--16--16--16--16--16--16--16--16--16--16--16--16--|

G|---------------------------------------------------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

e|---------------------------------------------------------|

B|-16--16--16--16--16--16--16--16--16--16------------------|

G|-----------------------------------------16--------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

In_the_first_note_of_this_measure,_the_string_is_struck

only_once,_then_bent_up_and_down_several_times.

e|-7B8B7B8B7--7S5--7-----10B11--10---------8B9--8B9--8--8--|

B|-------------------------------------12------------------|

G|--------------------9-------------9----------------------|

D|---------------------------------------------------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

e|-7--8--7--5--3--5B6--5--5--------------------------------|

B|---------------------------10--12--13\----4--------------|

G|--------------------------------------S------------------|

D|---------------------------------------\-----------------|

A|---------------------------------------------------------|

E|---------------------------------------------------------|

Repeat_the_section_enclosed_in_bars_about_nine_times.__Fade

out.

e|---------------------|-10B11--10--8--------------|-------|

B|-4--4--4--4--4--4B5--|--------------12--10--8S10-|-------|

G|---------------------|---------------------------|-------|

D|---------------------|---------------------------|-------|

A|---------------------|---------------------------|-------|

E|---------------------|---------------------------|-------|

As_I_said_at_the_outset,_this_is_not_necessarily_exact.

The_wonderful_thing_about_the_blues,_however,_is_that_it

doesnt_have_to_be_played_the_same_way_everytime.__So_play

the_song_how_it_sounds_best_to_you.

************************************

|_\__Slide_down

|_B__bend

|_S__Slide

************************************

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#----------------------------------PLEASE_NOTE---------------------------------# #This_file_is_the_authors_own_work_and_represents_their_interpretation_of_the_# #song._You_may_only_use_this_file_for_private_study,_scholarship,_or_research._# #------------------------------------------------------------------------------## # #----------------------------------PLEASE_NOTE---------------------------------# #This_file_is_the_authors_own_work_and_represents_their_interpretation_of_the_# #song._You_may_only_use_this_file_for_private_study,_scholarship,_or_research._# #------------------------------------------------------------------------------# Song:_"The_Messiah_Will_Come_Again" Artist:_Roy_Buchanan Album:_"A_Street_Called_Straight" Transcribed_by:_Bryan_W._Young_([email protected]) Performance_Notes:__This_is_an_extremely_difficult_song_to_transcribe. _____There_is_an_endless_number_of_bends_and_slides_that_are_difficult _____to_note_in_simple_tablature.__Because_of_this_I_will_insert_special _____explanations_before_each_"measure". _____Also,_I_cannot_guarantee_the_accuracy_of_this_transcription, _____simply_because_my_ear_is_self-trained_and_therefore_susceptable_to _____misinterpretation.__My_greatest_piece_of_advice_is_to_tell_you _____to_buy_the_album_(either_Roys_"A_Street_Called_Straight"_or _____"Guitar_on_Fire")_else_most_of_the_complexity_will_be_completely _____lost_(along_with_all_the_timing). _____Note_also_that_I_begin_transcribing_at_1:14,_after_his_soliloquy. _____I_am_not_yet_able_to_transcribe_the_intro;_if_requested_Ill _____give_it_another_shot. "B"_stands_for_bend.__"R"_means_to_evenly_release_the_bend and_return_to_the_original_note. (1:14_-_1:28) e\|---------------------------------------------------------\| B\|-----15B16--15B16R15--13--13--13--12--13--12-------------\| G\|-14------------------------------------------------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| The_trick_to_playing_the_third_"note"_in_this_measure properly_is_to_strike_the_string_at_the_10th_fret,_bend_up to_the_12th,_hold_and_fret_the_11th,_then_return_to_the_10th fret_while_evenly_releasing_the_bend.__It_is_tricky,_but_can be_done_with_practice.__The_"S"_business_simply_means_to slide_evenly_down_to_the_4th_fret. (1:29_-_2:04) e\|---------------------------------------------------------\| B\|-10------10B12F11R10--10--12--13\---4--4--4--4--4--4B5---\| G\|-----12--------------------------\S----------------------\| D\|----------------------------------\----------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| Each_one_of_these_notes_is_bent.__Often_one_does_not_return to_the_un-bent_note_before_restriking_the_string.__It_is very_tricky_to_hit_the_note_just_right.__All_I_can_assure_you of_is_that_this_tablature_accurately_represents_the_number of_times_the_string_is_struck. e\|---------------------------------------------------------\| B\|-16--16--16--16--16--16--16--16--16--16--16--16--16--16--\| G\|---------------------------------------------------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| e\|---------------------------------------------------------\| B\|-16--16--16--16--16--16--16------------------------------\| G\|---------------------------------------------------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| (At_this_point,_Mr._Buchanan_makes_an_incredible_jittery climb_up_and_down_the_fretboard_that_goes_all_the_way_to_the bridge.__Youll_just_have_to_figure_this_out_yourself.__I have_no_idea_how_to_transcribe_it.__Just_beware_--_your wrist_will_hurt_by_the_time_you_have_it...) _(2:23_-_4:06) e\|-7--7S8--7S5--7------------------------------------------\| B\|---------------------------------------------------------\| G\|---------------------------------------------------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| This_is_the_section_I_refer_to_as_"The_Howling".__Here, like_the_section_earlier,_each_string_is_bent_a_different amount.__Youll_again_have_to_listen_to_the_record_to_hear it_all.__Make_sure_to_employ_artificial_harmonics_often. Also,_note_that_sometimes_you_return_to_the_original_note, often_you_dont. e\|---------------------------------------------------------\| B\|-16--16--16--16--16--16--16--16--16--16--16--16--16--16--\| G\|---------------------------------------------------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| e\|---------------------------------------------------------\| B\|-16--16--16--16--16--16--16--16--16--16------------------\| G\|-----------------------------------------16--------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| In_the_first_note_of_this_measure,_the_string_is_struck only_once,_then_bent_up_and_down_several_times. e\|-7B8B7B8B7--7S5--7-----10B11--10---------8B9--8B9--8--8--\| B\|-------------------------------------12------------------\| G\|--------------------9-------------9----------------------\| D\|---------------------------------------------------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| e\|-7--8--7--5--3--5B6--5--5--------------------------------\| B\|---------------------------10--12--13\----4--------------\| G\|--------------------------------------S------------------\| D\|---------------------------------------\-----------------\| A\|---------------------------------------------------------\| E\|---------------------------------------------------------\| Repeat_the_section_enclosed_in_bars_about_nine_times.__Fade out. e\|---------------------\|-10B11--10--8--------------\|-------\| B\|-4--4--4--4--4--4B5--\|--------------12--10--8S10-\|-------\| G\|---------------------\|---------------------------\|-------\| D\|---------------------\|---------------------------\|-------\| A\|---------------------\|---------------------------\|-------\| E\|---------------------\|---------------------------\|-------\| As_I_said_at_the_outset,_this_is_not_necessarily_exact. The_wonderful_thing_about_the_blues,_however,_is_that_it doesnt_have_to_be_played_the_same_way_everytime.__So_play the_song_how_it_sounds_best_to_you. ********************************** \|_\__Slide_down \|_B__bend \|_S__Slide ********************************** 音娱www.520mus.top吉他谱txt 一页党交流Q群97076136 若谱与词没对应上请使用思源宋体,思源黑体,幼圆,隶书,这四种免费字体
歌曲名称:		The Messiah Will Come Again
歌手：		Roy Buchanan
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