#----------------------------------PLEASE_NOTE---------------------------------#
#This_file_is_the_authors_own_work_and_represents_their_interpretation_of_the_#
#song._You_may_only_use_this_file_for_private_study,_scholarship,_or_research._#
#------------------------------------------------------------------------------#
JUST_THE_SAME
based_of_Phil_Keaggys_performance_at_Wheaton_College.
Acoustic_Gtr_(D_A_D_G_B_E)_or_1_half-step_down_from_that
main_riff___________________________A___G___F___D___________repeat
|-5-------5-------------------------5---3-----------2-------------|
|-5h7p5---5h7p5---------------------5---3-----------3-------------|
|-------7-------7-7---------7-------5---4-----------2-------------|
|-----------------7h9p7-7---7-------5---5---3---0---0-------------|
|-----------------------7h9---9p7s5-7---5---3---0-----------0-2-5-|
|-----------------------------------7---5---3---0-------3-4-------|
alternate_ending_riff
|---------------------------------|
|---------------------------------|
|-----------------0h2p0---0-------|
|-----------0-3-4-------3-------0-|
|-----0-2-3-----------------3s5---|
|-3-4-----------------------------|
verse._
I_included_an_example_of_a_hammer_on_that_might_take_place_in_the_first_chord._
|-5---5-5---3-----------2---|---------------------2-|
|-5---5-5---3-----------3---|-----1---3-----------3-|
|-5---5-5---4-----------2---|-----0---0---3---5---2-|
|-5---5-5---x---3---0---0---|-----2---0---3---5---0-|
|-7---5h7---5---3---0-------|-0h2-3---2---1---3-----|
|-7---5h7---5---3---0-------|-----------------------|
|-5---4---3---2-------------------2-------------|-5-------5-------------------------|
|-6---5---4---3---1---3-----------3-------------|-5h7p5---5h7p5---------------------|
|-5---4---3---2---0---0---3---5---2-------------|-------7-------7-7---------7-------|
|-0---0---0---0---2---0---3---5---0-------------|-----------------7h9p7-7---7-------|
|-----------------3---2---1---3-----------0-2-5-|-----------------------7h9---9p7s5-|
|-------------------------------------3-4-------|-----------------------------------|
Chorus
|-0---3-----------2-----------5-------5--------------------------|
|-1---3-----------3-----------5h7p5---5h7p5----------------------|
|-2---4-----------2-----------------7-------7-7---------7--------|
|-2---x---3---0---0---------------------------7h9p7-7---7--------|
|-0---5---3---0---------0-2-5-----------------------7h9---9p7s5--|
|-----5---3---0-----3-4------------------------------------------|
Phil_uses_an_odd_technique_for_this_chord_progression._
He_uses_his_index_finger_to_hit_the_C_in_the_first_chord,_then_the_usual_fingering_for_D7
after_that,_the_G_is_brought_out_by_using_his_pinky_on_the_fifth_fret.
|-------------------0----|
|-3-3---3---3-3-----1----|
|-5-5---0---5-5-----0----|
|-3h4---5---3h4-----2----|
|-5-5---5---5-5-----0----|
|------------------------|
Any_other_solos_or_riffs_are_improvised_in_D_minor
Tablature_Legend
----------------
_h___-_hammer-on
_p___-_pull-off
_b___-_bend
_pb__-_pre-bend
_r___-_bend_release_(if_no_number_after_the_r,_then_release_immediately)
_/\__-_slide_into_or_out_of_(from/to_"nowhere")
_s___-_legato_slide
_S___-_shift_slide
_-_natural_harmonic
[n]__-_artificial_harmonic
n(n)_-_tapped_harmonic
_~___-_vibrato
_tr__-_trill
_T___-_tap
_TP__-_trem._picking
_PM__-_palm_muting
\n/__-_tremolo_bar_dip;_n_=_amount_to_dip
_\n__-_tremolo_bar_down
_n/__-_tremolo_bar_up
/n\__-_tremolo_bar_inverted_dip
_=___-_hold_bend;_also_acts_as_connecting_device_for_hammers/pulls
_<>_-_volume_swell_(louder/softer)
_x___-_on_rhythm_slash_represents_muted_slash
_o___-_on_rhythm_slash_represents_single_note_slash
Misc_Legend
-----------
_|__-_bar
||__-_double_bar
||o_-_repeat_start
o||_-_repeat_end
*|__-_double_bar_(ending)
_:__-_bar_(freetime)
_$__-_Segno
_&__-_Coda
Tempo_markers_-__=_BPM(8/16=s8/s16),_where_s8_=_swing_8ths,_s16_=_swing_16ths
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