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#This_file_is_the_authors_own_work_and_represents_their_interpretation_of_the_#
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_From_
[email protected]__Jun_18_94_at_5:26_am_est
Return-Path:_
Cc:_
[email protected],_[email protected]
Organization:_M_A_G_I_C
Date:_Sat,_18_Jun_1994_05:26:00_EST
Subject:_TAB:_For_Emily,_Wherever...
FOR_EMILY,_WHEREVER_I_MAY_FIND_HER
PAUL_SIMON
Transcribed_by:__
[email protected]
Heres_the_way_Ive_been_playing_it_--_not_an_exact_lift,_but_gets_the_feel
of_the_song,_sounds_amazing,_and__is_surprisingly_simple_to_play.__It_is
fingerpicked_(somewhat_hard_to_play_with_a_flatpick,_but_possible_if_your
country_claw_has_an_even_bass-treble_volume_ratio,_and_uses_both_the_middle
and_index_to_work_the_top_strings.__I_personally_think_it_sounds_better
with_fingerpicks_or_even_bare_fingers).
I_play_it_on_Capo_III
THE_CHORDS:
D5:__xx0235
G5:_xx0033
D:_200232
G:_xx0033
Cmaj7:_x32000
A:_x02220
THE_PICKING_PATTERN:
B-2-(3+1)-2-B-2-(3+1)-2
Where_B_is_the_lowest_bass_note,_as_indicated_in_the_above_chord_charts.
(3+1)_indicates_that_the_3_and_the_1_are_plucked_simultaneously.__As_you
may_have_guessed,_all_of_the_above_strings_get_1/8_note.
This_pattern_is_consistent_throughout_the_song
Intro:_/D5/G5/D5/G5
THE_SONG:
Intro:_/D5.../G5.../D5.../G5.../
(D5)_What_a_dream_I_had,(G)_pressed_in_(Fig_1)_organdy
(D)_Clothed_in_crinoline_(Cmaj7)_of_smokey_burgandy
(G)_Softer_than_the_(A)_rain
I_wanderd_empty_streets,_down_past_the_shop_display
I_heard_cathedral_bells,_tripping_down_the_alley-way
As_I_walked_on
And_when_you_ran_to_me,_your_checks_flushed_with_the_night
We_walked_on_frosted_fields_of_juniper_and_lamplight
I_held_your_hand
(instrumental)
And_when_I_awoke_and_felt_your_warm_and_near
I_kissed_your_honey_hair,_with_my_grateful_tears
Oh_I_love_you_girl
(Cmaj7)_Oh_(G)_how_I_love_you_(A)_girl
THE_FIGURES:
Each_dash_represents_1/16th_note.__I_have_tried_to_be_exact_in_this_to_make
it_easier.
s_-_strum
r_-_strum,_with_a_slight_ritard_(normally_notated_by_a_wavy_down_arrow_next
to_the_chord)
p_-_pluck
Fig_1:
____p-->____________________s
E|------------0---|
B|--3---3-----0---|
G|------------0---|
D|----------------|
A|----------------|
E|3---2---0-------|
Instrumental:
____p________s__-->
p________s-->
E|----5-----5-5-5-|--3---2---3-3-3-|----3-----3-3-3-|
B|----3-----3-3-3-|--3---3---3-3-3-|----3-----3-3-3-|
G|----2-----2-2-2-|--2---2---2-2-2-|----0-----0-0-0-|
D|0---0-----0-0-0-|--0---0---0-0-0-|----0-----0-0-0-|
A|----------------|----------------|----------------|
E|----------------|----------------|3---------------|
____p-->____________________s_________p______s-->
_______________p_______p
E|------------0---|----2-----2-2-3-|2-p-0-----------|
B|--3---3-----0---|----3-----3-3-3-|3-------3-------|
G|------------0---|----2-----2-2-2-|2-----------2---|
D|----------------|0---0-----0-0-0-|----------------|
A|----------------|----------------|----------------|
E|3---2---0-------|----------------|----------------|
____r________p-->
E|----------------|----------------|
B|0---2---0-------|0---------------|__________picking_pattern_resumes
G|0-----------4---|----4---2---0---|__________for_last_two_measures_of
instr:
D|2---------------|----------------|__________/G.../A.../_-->_last_verse
A|3---------------|----------------|
E|----------------|----------------|
There_it_is.__Enjoy.
--_e
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